louis armstrong/duke ellington

Biography

Louis Armstrong (1901-1971) was born in New Orleans in a neighborhood so impoverished it was called "The Battlefield." At age seven, he received his first musical instrument—a ten-cent tin horn—which he used to draw customers to his rag-peddling wagon, setting him on the path to becoming jazz's greatest soloist. Armstrong would become the central figure in jazz history for his revolutionary solo playing and singing, elevating the genre into a pulsating force for spontaneity and freedom. Duke Ellington (1899-1974), born Edward Kennedy Ellington and the grandson of slaves, emerged as jazz's finest composer and bandleader. Unlike Armstrong, Ellington was a man of refined sophistication whose music transcended category, characterized by compositional complexity and "the unpredictable unfolding of different sound images." Both men, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet, fundamentally transforming twentieth-century American music and culture. Though they came to prominence in the 1920s as giants of jazz, Armstrong and Ellington recorded only one album together—The Great Summit (1961)—a collaboration that came decades after their initial rise to fame, recorded for Roulette Records on April 3-4, 1961, featuring Armstrong performing 17 Ellington compositions with Duke's orchestra.

Fun Facts

  • Armstrong received his first musical instrument at age seven—a ten-cent tin horn—which he used to draw customers to his rag-peddling wagon in New Orleans, launching his musical career.
  • During the filming of Paris Blues, Armstrong played Ellington compositions "Battle Royal" and "Wild Man" in his character role, while Duke spent three weeks in Paris composing music for the film, which he described as "the closest thing to a vacation" he'd ever taken.
  • Jazz historian Dan Morgenstern noted that Armstrong was "one of the quickest studies to ever set foot in a studio," and Ellington's chronicler Stanley Dance observed that Armstrong seemed to know the Ellington routines better than clarinetist Barney Bigard, who had spent 15 years with Duke's orchestra.
  • Duke Ellington composed over 6,000 compositions throughout his career and later honored Armstrong with a "Portrait of Louis Armstrong" in his celebrated late-career work The New Orleans Suite.

Musical Connections

Mentors/Influences

  • Joe Glazer - Armstrong's manager who negotiated contracts and protected Armstrong's financial interests (Contract negotiations for Columbia Records and Roulette Records) [1950s-1960s]

Key Collaborators

  • Duke Ellington - Armstrong performed with Ellington's orchestra on their landmark collaborative album, with Duke accompanying Armstrong on piano for several numbers (The Great Summit (1961) - 17 Ellington compositions including "I'm Just a Lucky So and So," "Black and Tan Fantasy," "Perdido," and "Azalea") [1959-1961]
  • George Avakian - Columbia Records producer who proposed the Armstrong-Ellington collaboration in 1955, though the project was not realized until 1961 under different circumstances (Proposed The Great Summit concept) [1955-1961]
  • Barney Bigard - Clarinetist who performed with both Armstrong's All-Stars and Ellington's orchestra (Armstrong's All-Stars; Ellington Orchestra (15 years)) [1944 onwards]

Artists Influenced

  • Cootie Williams - Trumpeter whose style was influenced by Armstrong's approach (Ellington Orchestra recordings) [Mid-20th century]
  • Freddy Jenkins - Trumpeter influenced by Armstrong's playing style (Jazz recordings) [Mid-20th century]
  • Ray Nance - Trumpeter whose work reflected Armstrong's influence (Ellington Orchestra recordings) [Mid-20th century]
  • Johnny Hodges - Saxophonist and greatest Ellingtonian who credited Armstrong with influencing his approach to rhythm and phrasing (Ellington Orchestra compositions) [Mid-20th century]
  • Lawrence Brown - Trombonist whose style was influenced by Armstrong's musical approach (Ellington Orchestra recordings) [Mid-20th century]

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References

  1. nepm.org
  2. politics-prose.com
  3. mahoganybooks.com
  4. allaboutjazz.com
  5. jerryjazzmusician.com

Heard on WWOZ

louis armstrong/duke ellington has been played 1 time on WWOZ 90.7 FM, New Orleans' jazz and heritage station.

DateTimeTitleShowSpotify
Jan 31, 202611:41Mood IndigoNew Orleans Music Show - Saturday