Biography
Clarence 'Gatemouth' Brown (April 18, 1924 — September 10, 2005) was born in Vinton, Louisiana, and raised in Orange, Texas. His father, a railroad engineer and weekend musician, taught him fiddle, while his brothers instructed him in guitar and drums. Brown's professional music career began in 1945 playing drums in San Antonio, Texas with local bands including The Gay Swingsters. The pivotal moment came in 1947 when he attended a T-Bone Walker concert at Don Robey's Bronze Peacock Club in Houston. When Walker became ill, Brown took up guitar and performed 'Gatemouth Boogie' to enthusiastic acclaim, earning the nickname 'Gatemouth' from a high school teacher who said he had 'a voice like a gate.' This performance led Robey to become his manager and launch his recording career.
Brown's early success came through Peacock Records, the first successful post-war black-owned record label founded by Robey. His 1949 single 'Mary Is Fine' reached Number 8 on the R&B charts, followed by numerous hits including 'Okie Dokie Stomp,' 'Boogie Rambler,' and 'Dirty Work at the Crossroads.' However, by the late 1950s, Brown grew frustrated with the limitations of being confined to blues and R&B, leading him to part ways with Peacock Records by 1961. The 1960s proved challenging as he struggled to find consistent work, partly due to strained relations with the influential Robey. During this period, he worked as bandleader on the Dallas syndicated R&B television show The !!!! Beat in 1966 and moved to Nashville, where he began incorporating country music into his repertoire, recording with Roy Clark and appearing on Hee Haw.
Brown's career renaissance came in the 1970s when he began performing the eclectic range of styles—country, jazz, Cajun, blues, and R&B—for which he would become renowned. He toured extensively throughout the United States, Europe, East Africa, and the Soviet Union, serving as a musical ambassador for the U.S. State Department. In 1979, he undertook a historic 6-week, 44-concert tour of the Soviet Union, marking the first time the USSR contracted directly with a U.S. private citizen for a musical tour. The 1980s brought renewed recognition through releases on Rounder Records and Alligator Records, with his 1982 album 'Alright Again!' winning a Grammy and revitalizing his U.S. career. Brown became known for 'fighting purism by synthesizing old blues, country, jazz, Cajun music and rhythm & blues styles,' ultimately broadening the parameters of blues music and redefining the entire blues repertoire. He received the Rhythm and Blues Foundation's Pioneer Award in 1997 and was inducted into the Blues Foundation Hall of Fame in 1999, winning eight W.C. Handy Awards and six Grammy nominations throughout his career.
Fun Facts
- Brown earned his famous 'Gatemouth' nickname from a high school teacher who said he had 'a voice like a gate,' a comment that stuck with him throughout his career.
- During a brief hiatus from music in the late 1960s, Brown moved to New Mexico and became a deputy sheriff before being drawn back to music by the developing blues audience in Europe.
- In 1979, Brown's Soviet Union tour was historic as the first time the USSR contracted directly with a U.S. private citizen (manager Jim Halsey) for a musical tour, rather than going through the U.S. State Department as all previous tours had.
- Brown was a true multi-instrumentalist who mastered guitar, fiddle, drums, viola, harmonica, piano, mandolin, and bass—an exceptionally rare combination of skills in blues music.
Musical Connections
Mentors/Influences
- T-Bone Walker - Major musical influence whose 1947 concert performance at the Bronze Peacock Club inspired Brown and launched his professional career (T-Bone Walker's guitar style influenced Brown's approach) [1947 onwards]
- Louis Jordan - One of Brown's two biggest musical influences (Jump band style and musical approach) [Early career influence]
- Brown's Father - Taught him fiddle; described as a strong multi-instrumentalist (Fiddle instruction) [Childhood]
Key Collaborators
- Don Robey - Manager and founder of Peacock Records who signed Brown and produced his early recordings (Peacock Records releases including 'Mary Is Fine,' 'Okie Dokie Stomp,' 'Boogie Rambler,' 'Dirty Work at the Crossroads') [1947-1961]
- Roy Clark - Country music collaborator and friend during Nashville period (Country music recordings and television appearances) [1960s]
- Jim Halsey - Manager who arranged historic Soviet Union tour (1979 Soviet Union tour (44 concerts over 6 weeks)) [Late 1970s-1980s]
Artists Influenced
- Guitar Slim - Blues guitarist influenced by Brown's independent spirit and eclectic repertoire (Guitar style and approach) [Post-1950s]
- Albert Collins - Blues guitarist influenced by Brown's guitar style and musical approach (Guitar technique and blues interpretation) [Post-1950s]
- Johnny 'Guitar' Watson - Blues musician influenced by Brown's versatile approach and guitar mastery (Guitar style and musical versatility) [Post-1950s]
- Jimi Hendrix - Rock guitarist influenced by Brown's innovative guitar approach (Guitar innovation and style) [1960s onwards]
- Buddy Guy - Blues guitarist influenced by Brown's eclectic musical approach (Guitar technique and blues style) [Post-1960s]
- Stevie Ray Vaughan - Texas blues guitarist influenced by Brown's wide-ranging musical tastes and guitar mastery (Guitar style and Texas blues tradition) [1970s onwards]
Connection Network
External Links
- Spotify
- [Wikipedia](Not found in search results)
References
Heard on WWOZ
Clarence Gatemouth Brown has been played 11 times on WWOZ 90.7 FM, New Orleans' jazz and heritage station. Showing the 10 most recent plays.
| Date | Time | Title | Show | Spotify |
|---|---|---|---|---|
| Feb 25, 2026 | 12:16 | Swamp Ghostfrom American Music, Texas Style | New Orleans Music Showw/ Missy Bowen | |
| Jan 27, 2026 | 13:06 | Going Back To Louisianafrom Back To Bogalusa | New Orleans Music Showw/ Cole Williams | |
| Jan 22, 2026 | 12:32 | WHY ARE PEOPLE LIKE THAT? | New Orleans Music Showw/ Michael Dominici | |
| Jan 21, 2026 | 11:43 | Going Back To Louisianafrom Back To Bogalusa | New Orleans Music Showw/ Missy Bowen | |
| Jan 7, 2026 | 13:06 | Going Back To Louisianafrom Back To Bogalusa | New Orleans Music Showw/ Missy Bowen | |
| Dec 3, 2025 | 14:39 | Better Off With The Bluesfrom No Looking Back | Sittin' at the Crossroadw/ Big D | |
| Nov 13, 2025 | 17:37 | Take The | Jazz from Jax Breweryw/ Keith Hill | |
| Oct 27, 2025 | 19:36 | Swamp Ghostfrom American Music, Texas Style | Blues and R&Bw/ Gentilly Jr. | |
| Oct 2, 2025 | 09:35 | Take The | Traditional Jazzw/ Sally Young | |
| Sep 26, 2025 | 20:30 | Take The A Trainfrom NOJHF Jazz Fest (D5) | Music of Mass Distractionw/ Black Mold |