Biography
Hugh Ramapolo Masekela (1939–2018) was born in Witbank, South Africa, and became one of the most influential figures in South African music. As a child, he sang and played piano, but his musical trajectory changed at age 14 when anti-apartheid activist Trevor Huddleston gifted him his first trumpet, inspiring him to pursue jazz[2][3][5]. Masekela quickly mastered the instrument, forming the Huddleston Jazz Band, South Africa’s first youth orchestra, and later joining the African Jazz Revue and the orchestra for the landmark musical 'King Kong,' where he met his future wife, Miriam Makeba[1][2][4].
Masekela’s career developed amidst the political turmoil of apartheid, and his music became a vehicle for protest and cultural expression. After the Sharpeville massacre and tightening apartheid restrictions, he emigrated to the United States in 1960, studying at the Manhattan School of Music. There, he absorbed American jazz influences and collaborated with global artists, blending South African township sounds, kwela, and Afrobeat with jazz and soul[3][5]. His international breakthrough came with the 1968 hit "Grazing in the Grass," and he continued to champion African music through collaborations with artists like Fela Kuti and Paul Simon, notably joining Simon’s "Graceland" tour[3][5].
Masekela’s legacy is defined by his role as the "father of South African jazz" and his outspoken opposition to apartheid. His compositions, such as "Soweto Blues" and "Bring Him Back Home," became anthems of resistance, and his influence extended across continents, inspiring generations of musicians. He returned to South Africa after the end of apartheid, continuing to record, perform, and mentor young artists until his death in 2018[3][5].
Fun Facts
- Masekela’s 1968 single "Grazing in the Grass" reached number one on the US pop charts, a rare feat for an African artist at the time[5].
- He played a pivotal role in the first all-Black jazz album recorded in South Africa, with The Jazz Epistles in 1959[3][4].
- Masekela’s autobiography, "Still Grazing: The Musical Journey of Hugh Masekela," was published in 2004[3].
- He set up a mobile recording studio in Botswana in the 1980s to help record and promote South African musicians during apartheid[3].
Associated Acts
- Hugh Masekela & The Union of South Africa
Musical Connections
Mentors/Influences
- Trevor Huddleston - Anti-apartheid activist and chaplain who gave Masekela his first trumpet and facilitated his early musical education. (Formation of Huddleston Jazz Band) [Early 1950s]
- Uncle Sauda - Leader of Johannesburg Native Municipal Brass Band who taught Masekela trumpet fundamentals. (Huddleston Jazz Band) [Early 1950s]
- Louis Armstrong - Indirect influence; Armstrong sent a trumpet to Masekela via Huddleston, inspiring his jazz aspirations. (Early jazz inspiration) [1950s]
Key Collaborators
- Miriam Makeba - Singer, activist, and spouse; frequent musical collaborator and co-arranger. (Arrangements and performances in the 1960s) [1960s]
- Abdullah Ibrahim (Dollar Brand) - Pianist and co-founder of The Jazz Epistles, South Africa’s first influential bebop band. (The Jazz Epistles album (1959)) [Late 1950s]
- Jonas Gwangwa - Trombonist and bandmate in The Jazz Epistles. (The Jazz Epistles album (1959)) [Late 1950s]
- Fela Kuti - Nigerian Afrobeat pioneer; Masekela played in Kuti’s band and absorbed Afrobeat influences. (Touring and recording in the 1970s) [1970s]
- Paul Simon - Collaborator on Simon’s "Graceland" world tour, bringing South African music to global audiences. (Graceland tour (1986–1987)) [1980s]
- Hedzoleh Soundz - Ghanaian highlife band; recorded five albums and toured together. (Collaborative albums and tours) [1970s]
Artists Influenced
- Sipho Mabuse - South African musician influenced by Masekela’s jazz and activism. (Jazz and pop works) [1980s–present]
- Lira - Contemporary South African singer inspired by Masekela’s fusion of jazz and African styles. (Modern Afro-soul recordings) [2000s–present]
- Thandiswa Mazwai - South African artist who cites Masekela as a major influence in blending traditional and modern sounds. (Afrobeat and jazz fusion) [2000s–present]
Connection Network
Discography
Albums
| Title | Release Date | Type |
|---|---|---|
| The Promise Of A Future | 1968-01-01 | Album |
| The Chisa Years 1965-1975 (Rare and Unreleased) | 2006-03-13 | Album |
| Sixty | 2000 | Album |
| Hope | 2002-05-07 | Album |
| Pure Sounds of Africa | 2015-04-24 | Album |
| Salvamm 'o munno (20th Anniversary) | 2004 | Album |
| Rejoice | 2020-03-20 | Album |
| The Boy's Doin' It | 1998-01-01 | Album |
| Black To The Future | 1997-11-02 | Album |
| Still Grazing | 2004-01-01 | Album |
Top Tracks
- Grazing In The Grass (The Promise Of A Future)
- Riot
- Afro Beat Blues (The Chisa Years 1965-1975 (Rare and Unreleased))
- We Are One - Black Coffee Original Dub
- With Her Hand - Ralf GUM Instrumental
- Thanayi (Sixty)
- Never (Lagos Never Gonna Be the Same) (Rejoice)
- Stimela (The Coal Train) (Hope)
- Sechaba
- Mahlalela (The Chisa Years 1965-1975 (Rare and Unreleased))
External Links
Tags: #2008-universal-fire-victim, #afrobeat, #classic-pop-and-rock
References
Heard on WWOZ
Hugh Masekela has been played 7 times on WWOZ 90.7 FM, New Orleans' jazz and heritage station.
| Date | Time | Title | Show | Spotify |
|---|---|---|---|---|
| Jan 5, 2026 | 08:44 | Riotfrom Masekela | The Morning Setw/ Stuart Hall | |
| Jan 3, 2026 | 21:09 | The Boy's Doin' Itfrom The Boy's Doin' It | Soul Powerw/ Soul Sister | |
| Jan 1, 2026 | 22:33 | Ha Lese Le Di Khannafrom '66 - '76 | Kitchen Sinkw/ Jennifer Brady | |
| Nov 25, 2025 | 17:27 | Excuse Me Pleasefrom The Boy's Doin' It | Jazz from Jax Breweryw/ T.R. Johnson | |
| Nov 18, 2025 | 07:48 | Riotfrom Masekela | The Morning Setw/ Fox Duhon or Mark LaMaire | |
| Oct 23, 2025 | 22:06 | You Told Your Mama Not To Worryfrom The Boy's Doin' It | Kitchen Sinkw/ Jennifer Brady | |
| Oct 23, 2025 | 22:02 | Riotfrom Masekela | Kitchen Sinkw/ Jennifer Brady |