Biography
Joseph Lee "Big Joe" Williams was born on October 16, 1903, near Crawford in Oktibbeha County, Mississippi, on the edge of the Noxubee Swamp. Coming from a musical family that included his blues-performing grandfather Bert Logan and uncles Bert and Russ Logan, Williams epitomized the life of the traveling bluesman. He crafted his first instrument as a one-string guitar before becoming famous for his innovative nine-string guitar, created by adding three extra strings to a standard six-string guitar. Leaving home in his teens, Williams made his living playing at railway camps, turpentine operations, levee camps, and logging sites, while also traveling with minstrel troupes and medicine shows throughout the 1920s.
Williams's recording career began in 1930 with the Birmingham Jug Band for Okeh Records, but his breakthrough came in 1935 when he signed with Bluebird Records and recorded his signature song "Baby Please Don't Go," which he sometimes credited to his wife, blues singer Bessie Mae Smith. This song became one of the most covered blues standards in history, later recorded by Muddy Waters, Van Morrison with Them, and Bob Dylan. Throughout the 1930s and 1940s, Williams recorded extensively for Bluebird and Columbia labels, producing hits like "Crawlin' King Snake" (1941) and "Peach Orchard Mama." He became a fixture of the St. Louis blues scene in the 1930s before relocating to Chicago, though he never stopped his constant traveling.
When African American music trends shifted toward electric blues and rhythm and blues after World War II, Williams adapted by launching a second career as a "folk blues" artist in the late 1950s. He performed widely at coffeehouses, nightclubs, and festivals across America and Europe, recording numerous albums for labels including Delmark, Arhoolie, Testament, Bluesville, and Folkways. His legendary travels and cantankerous personality were documented in guitarist Mike Bloomfield's memoir "Me and Big Joe," and he became known for living in the basement of Chicago's Jazz Record Mart. Williams also worked as a talent scout, helping to locate and record many artists including J.D. Short and John Wesley "Mr. Shortstuff" Macon. He died on December 17, 1982, in Macon, Mississippi, and was inducted into the Blues Hall of Fame on October 4, 1992.
Fun Facts
- Williams created a distinctive nine-string guitar by adding three extra strings (doubling the D, B, and high E) to a standard guitar, producing what one historian described as 'the most buzzing, sizzling, African-sounding music' he had ever heard.
- According to Williams himself, he had to stop traveling with young Muddy Waters because women kept complimenting his 'young son,' and Waters was taking away his female attention: 'I had to put Muddy down because he was takin' away my women.'
- Williams lived in the basement of Chicago's Jazz Record Mart during his later years and became legendary for his cantankerous personality and indefatigable traveling spirit.
- He performed at Mike Bloomfield's 'blues night' at the Fickle Pickle using an electric nine-string guitar through a ramshackle amplifier with a pie plate nailed to it and a beer can dangling against it—when he played, everything rattled except Big Joe himself.
Musical Connections
Mentors/Influences
- Charley Patton - Williams came under the influence of legendary Delta blues pioneer Charley Patton during his time in the Mississippi Delta (Delta blues style and performance techniques) [1920s-1930s]
Key Collaborators
- John Lee 'Sonny Boy' Williamson - Harmonica great who featured on many of Williams's recordings (Multiple recordings for Bluebird and Columbia labels) [1930s-1940s]
- Robert Nighthawk - Fellow blues musician who recorded with Williams (Various recording sessions) [1930s-1940s]
- Peetie Wheatstraw - Blues singer who collaborated on recordings (Various recording sessions) [1930s-1940s]
- Bob Dylan - Williams influenced the young Dylan in the early 1960s; Dylan played harmonica on Williams's sessions (Several duets recorded for Victoria Spivey's Spivey Records) [1962]
- Birmingham Jug Band - Early recording collaboration (Recordings for Okeh Records) [1930]
Artists Influenced
- Muddy Waters - Young Muddy Waters accompanied Williams on harmonica through the Mississippi Delta during the early 1930s; Williams was his mentor and took him on the road (Waters later covered 'Baby Please Don't Go') [Early 1930s (Waters was around 15 when they met in Rolling Fork)]
- Honeyboy Edwards - Young bluesman whom Williams mentored and took on the road (Delta blues performance and traveling techniques) [1930s]
Connection Network
Discography
Albums
| Title | Release Date | Type |
|---|---|---|
| Going Back to Crawford | 1999-01-01 | Album |
| Down and Out | 2019-07-09 | Album |
| Classic Delta Blues | 1966 | Album |
| Tough Times | 1960 | Album |
| The Sonet Blues Story | 2005-01-01 | Album |
| Mississippi's Big Joe Williams and His Nine String Guitar | 1962 | Album |
| Have Mercy! | 1996-02-06 | Album |
| Baby Please Don't Go | 2012-07-09 | Album |
| Shake Your Boogie | 1990-01-01 | Album |
| Back to the Roots | 2023-08-09 | Album |
| Blues on Highway 49 | 1961 | Album |
| Big Joe Williams And The Stars Of Mississippi Blues | 2003 | Album |
| Mississippi's Big Joe Williams and His Nine-String Guitar | 1995-10-17 | Album |
| Big Joe Williams Vol. 1 1935 - 1941 | 1991 | Album |
| Big Joe Williams Vol. 2 1945 - 1949 | 1991 | Album |
Top Tracks
- Baby Please Don't Go (Going Back to Crawford)
- Rollin' And Tumblin' (Classic Delta Blues)
- She Left Me a Mule to Ride (Tough Times)
- Nobody Knows When You're Down (Down and Out)
- Baby Please Don’t Go (Down and Out)
- Whistlin' Pines (Mississippi's Big Joe Williams and His Nine String Guitar)
- Back Home Blues (Going Back to Crawford)
- Nobody Knows You When You're Down and Out
- Hang It Up On The Wall (The Sonet Blues Story)
- Stool Pigeon Blues (Have Mercy!)
External Links
Tags: #acoustic-blues, #blues, #delta-blues
References
Heard on WWOZ
BIG JOE WILLIAMS has been played 10 times on WWOZ 90.7 FM, New Orleans' jazz and heritage station.
| Date | Time | Title | Show | Spotify |
|---|---|---|---|---|
| Dec 22, 2025 | 15:18 | Christmas Bluesfrom GREATEST CHRISTMAS HITS | Blues Eclecticw/ Andrew Grafe | |
| Dec 22, 2025 | 02:39 | What Are You Doing New Year's Eve? | The Dean's Listw/ Dean Ellis | |
| Dec 1, 2025 | 15:51 | JIVIN' WOMANfrom DOWNHOME DELTA BLUES 1949-52 | Blues Eclecticw/ Andrew Grafe | |
| Nov 21, 2025 | 19:32 | Baby Please Don't Go | Music of Mass Distractionw/ Black Mold | |
| Oct 20, 2025 | 20:38 | jivin' woman | Blues and R&Bw/ Gentilly Jr. | |
| Oct 20, 2025 | 14:38 | BAD HEART BLUESfrom DELTA BLUES 1951 | Blues Eclecticw/ Andrew Grafe | |
| Oct 19, 2025 | 06:14 | Eveninfrom Having The Blues Under European Sky | The Sunday Morning Jazz Setw/ Mark Landesman | |
| Oct 1, 2025 | 16:29 | goin' to chicagofrom sing along with basie | Jazz from Jax Breweryw/ Al Colón | |
| Sep 29, 2025 | 23:41 | I Wanna Know | Kitchen Sinkw/ Derrick Freeman | |
| Sep 28, 2025 | 06:37 | Goin To Chicagofrom Having The Blues Under European Sky | The Sunday Morning Jazz Setw/ Mark Landesman |